Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method by Karl Gerstner
- Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method
- Karl Gerstner
- Page: 120
- Format: pdf, ePub, mobi, fb2
- ISBN: 9783037785782
- Publisher: Lars Muller Publishers
Download Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method
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Swiss designer and artist Karl Gerstner (1930–2017) had a significant influence on typography and the history and development of postwar graphic design. Designing Programmes is one of his most important and influential works. It was first published in 1964, and reissued in a new design by Lars Müller Publishers in 2007; both editions are now rare (the first almost completely unavailable). Now, Lars Müller reissues the book with its original design. Here, across four essays, Gerstner provides a basic introduction to his design methodology and suggests a model for design in the early days of the computer era. Gerstner's innovation was to propose a rule set or system defined by the designer that would determine all aesthetic decisions for a given product: for example, a logo might also function as a layout grid system or inspire a font. Today the book is especially topical in the context of current developments in computational design. With many examples from the worlds of graphic and product design, music, architecture and art, Designing Programmes inspires the reader to seize on the material, develop it further, and integrate it into his or her own work.
What I learned from the $2,000 elusive design book “Designing
Designing Programmes by Karl Gerstner is one of the most elusive design books This systematic, generative approach to creative output is another great The typographic grid is a proportional regulator for composition, tables, pictures, etc. An example is given of a photographic program: “a picture of
programme as typeface, typography, picture, method - WorldCat
Designing programmes : instead of solutions for by Karl Gerstner programme as typeface, typography, picture, method, morphology, logic, grid, photography,
Celebrating Karl Gerstner – Bryan Kulba – Medium
Swiss designer Karl Gerstner passed away on January 2, 2017. In 1964, Gerstner wrote Designing Programmes which outlined his theories. In his theories, a programme is a systematic approach to solving a problem down into san-serif, roman, german, some other or a combination of typefaces.
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Compendium for Literates [Karl Gerstner] on Amazon.com. Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method
Designing Programmes | Lars Müller Publishers
Karl Gerstner's work is a milestone in the history of design. author provides a basic introduction to his design methodology and suggests a model for design in
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Typography: My Way to Typography (English and German Edition) . Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture,
Karl Gerstner / Verlag Arthur Niggli / Programme Entwerfen / Book
Karl Gerstner / Verlag Arthur Niggli / Programme Entwerfen / Book / 1964. [PDF DOWNLOAD] Karl Gerstner: Designing Programmes: Programme as Typeface, Typography,. More information. More information die neue graphik, 1959 designer: karl gerstner International Typographic Style, Magazine Cover Design.
Gerstner-Programm – Typographica
Gerstner Programm was designed by Karl Gerstner in an attempt to harmonize of several grotesque typefaces and his decision to reassess Akzidenz-Grotesk: set Gerstner-Programm apart, as does its design methodology: approach in his book Programme entwerfen (Designing Programs) from 1963.
Unjustified Texts: Perspectives on Typography: Robin Kinross
For twenty-five years, Robin Kinross has been making a case for typography as a matter of fine detail and subtle judgment. See this image . Karl Gerstner: Designing Programmes: Programme as Typeface, Typography, Picture, Method.
Designing Programmes Programme as Typeface, Typography
Designing Programmes Programme as Typeface, Typography, Picture, Method introduction to his design method- ology and suggests a model for design in the corresponds with the original edition of the book, designed by Karl Gerstner.
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